Between Eyes

Between Eyesreduces the face further. Features stretch and separate. The composition becomes more abstract without losing its presence.

The eyes elongate into vertical signals. The mouth widens and stabilizes the image. Recognition remains, but it is no longer immediate.

Color fields are cleaner and more open. The background lightens. Space becomes an active element rather than a container.

Gesture stays visible and unapologetic. The drawing asserts itself over refinement.

This work marks a turning point in the series. It pushes the face toward symbol while keeping its human trace.